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The Culture: The Drawings

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the events of the book are almost simultaneous with Diziet Sma's writing an account of her visit to Earth in 1977. In her preface to this account in "The State of the Art", she dates the visit to 115 years earlier.

Further good news for Banks fans is that in late 2024, Orbit is planning to publish the definitive Culture companion book, celebrating the Culture through Iain’s own writing. Curated by Ken MacLeod, it will include all of Iain’s notes, tables and charts relating to the Culture universe. More information about this book will be released in due course. The Gray Area reflects that the Excession is the most dangerous thing to be seen in the galaxy since the worst days of Idiran war, which took place five centuries before. I can understand the creators wanting the work to speak for itself, and applaud them for not "imposing their voice" on Iain's projects, but unfortunately I would imagine that to many potential readers, a sizeable chunk of this book would mean very little. Science Fiction: The 101 Best Novels 1985-2010", Nonstop Press, 2012-05-05, archived from the original on 2013-04-26 , retrieved 2013-05-17 . MacLeod said working with his old friend’s papers was an emotional experience. “I read all of the early novels in manuscript. It’s quite moving for me to revisit them. There is a real pleasure in it – I’ve read and reread them over the years, but this is, for me, going to be a close rereading all at one go, and then relating passages in them to the drawings.”Banks often uses "outsiders" as viewpoint characters, [34] and said that using an enemy of the Culture as the main character of Consider Phlebas, the first story in the series, enabled him to present a more rounded view of the Culture. [ citation needed] However, this character realises that his attempts to plan for anything that might conceivably happen on a mission are very similar to the way in which the Culture makes all its decisions, and by the end suspects he has chosen the wrong side. [6]

Duggan, Robert (2007-12-22), "Iain M. Banks, Postmodernism and the Gulf War", Extrapolation, 48 (3): 558–577, doi: 10.3828/extr.2007.48.3.12 . The first release will be a beautiful, full-colour, large-format landscape artbook called The Culture: The Drawings, which will present Iain’s drawings exactly as he intended them to be seen.Banks: "It is my vision of what you do when you are in that post-scarcity society, you can completely indulge myself. The Culture has no unemployment problem, no one has to work, so all work is a form of play!" ( Parsons 2010) Faithfully reproduced from notebooks he kept in the 1970s and 80s, these annotated original illustrations depict the ships, habitats, geography, weapons and language of Banks’ Culture series of novels in incredible detail.

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